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Pagan DISCO evidence #292 May 15th, 2022 – LISTEN Upwardly

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Bank check out my looks. Post-NOLA vacation Heathen Disco, merely for you lot.

HOUR 1

  • Iceberg – God Moves on the H2o
  • Rose McDowall – Don't Fright the Reaper (extended mix)
  • Mariachi – Také
  • Developed. – Have I Started at the Finish
  • Jonas Reinhardt – Wretched Orchestra of Armistice
  • Suzi Foam Cheese – In Your Eyes
  • Caroline No – 2023
  • Dana Gillespie – Dead
  • Orchestral Manoeuvres in the Dark – Electricity
  • Poesie Noire – World
  • HOGG – Burn
  • Cocteau Twins – Iceblink Luck
  • Ghost Ability – Inchwork
  • Roller – Jujubee

Hr 2

  • Danava – By the Mark
  • Hard Stuff – Coil a Rocket
  • Ghostface Killah – Be Easy
  • Marvin Gaye – "T" Plays It Cool (unedited)
  • Loose Ends – Hangin' on a String (Contemplating)
  • SAULT – Luos College
  • Noel – Silent Morning
  • ii Body's – Body Drill
  • Lodge Music – Basic Instinct
  • Elementary Minds – Promised You a Miracle (remix)
  • Miss Nude – Taste My Acrid Fruit (instr.)
  • Moments of Ecstasy – You and Me (instr.)
  • Underworld – King of Snake (Fatboy Slim remix)
  • Winged Cycle – Rock Oaks
  • Moussa Doumbia – Yeye Mousso

Hour 3

  • Easy Going – Fearfulness (medley)
  • Skee Mask – Trackheadz
  • Acrid Angels – Eliminator
  • Cold Sensation – Liquid Empire
  • Forever Era – Subject Fell
  • Joys Union Group – Laughter in the Sky
  • Spread Joy – Language
  • Pleasance Forever – Curtain Phone call for a Whispering Ghost
  • Blue Orchids – Work
  • Laughing Clowns – Collapse Board
  • Les Rallizes Denudes – Wilderness of Fake Flowers
  • The Saints – River Deep, Mount High (live 1974)

Heathen Disco #291 (May 1st 2022) <- LISTEN

Click it and flick it.

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HOUR 1

  • Anadol – Gizli Duygular
  • The Pop Group – She Is Beyond Skillful and Evil (original / dub)
  • Ryuichi Sakamoto – Riot in Lagos
  • Lilac – Burn down the White House
  • Weak Betoken – War and State of war
  • Lovelock – Someone
  • Michal Turtle – Are You Psychic?
  • Stygian Footstep – Taiga
  • Kelly Lee Owens – Release
  • Neil Young – We R in Control
  • Oren Ambarchi, Johan Berthling & Andreas Werliin – III
  • Horsegirl – History Lesson Pt. 2

60 minutes two

  • HOGG – Complaints
  • Blue Öyster Cult – Lips in the Hills
  • George Brigman & Split – Blowin' Smoke
  • Limousine Embankment – Nighttime Is Falling
  • Shinehead – Who the Cap Fit
  • Skee Mask – Collapse Casual
  • DJ Stingray 313 – Reverse Engineering
  • Kraftwerk – Numbers/Computer Earth 2
  • Geo Rip – Underwater Bodycam
  • Depeche Mode – Shout (Riomix)
  • FACS – General Public
  • Negative Gears – Zoned
  • Moss Icon – Detest in Me
  • Severed Heads – Petrol (Remix 5)
  • Silueta Palida – El Paso de Tiempo (Version Remezclada)
  • Joys Union Group – Shimmering Surface
  • The Submissives – Chirp Like a Bird

60 minutes iii

  • Agaric – I'k Gonna Crush Dis (Instrumental Acid Mix)
  • Pitva – Krach
  • Hi Power – Simba Groove
  • Bohannon – Trying to Exist Slick
  • The Arrangement – Vampirella
  • John Taylor – Break
  • Rob Clearfield & Quin Kirchner – Orbit I
  • The Locust – Twenty-Iii Full-Time Cowboys
  • The Jacks – DM four-50
  • Esplendor Geometrico – Maria Luisa
  • The Rock Roses – I Wanna Be Adored

Pagan DISCO for Sun April 17 2022 (show #289) <- heed and learn

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60 minutes one

  • Oneida – Sheets of Easter
  • The 13th Floor Elevators – Slide Machine
  • Dolomite – New Indiana
  • The Upsetters – Horny Train (Sectional Dub Plate Mix)
  • Weak Betoken – War and War
  • SAULT – Time is Precious
  • Norman Connors – Love from the Sun
  • High Lonesome Sound System – Love Night (Underground Dub)
  • Midnight Star – Freak-a-zoid
  • Huerco S. – Plonk 13

HOUR two

  • Quasi – The Skeleton
  • Ned Collette – Sky'due south the Cardinal
  • Camp One – Misery and Anxiety
  • The Vibrators – Go on it Make clean
  • Amon Düül Two – Stumbling Over Melted Moonlight
  • Lime Crush – Tèlèphone
  • Cherry-red Pants – In the Passing Fourth dimension
  • Sonic Youth – Motorway to Yr. Skull
  • Teenage Filmstars – Hallucinations / Moon
  • Snake Corps – Another Monday
  • Ex-Vöid – Chemical Reaction
  • Idle Ray – Strange Ceilings
  • Middle Class – Ritual and Deceit
  • Signal Aout 42 – Autopsy
  • Alabaster DePlume – At present (Pink Triangle, Blue Valley)
  • PLOSIVS – Broken Eyes

HOUR 3

  • Cabaret Voltaire – Here to Go (Picayune Dub)
  • Principal Source – Looking at the Front Door
  • D-Mob – C'mon and Get My Honey (2d Coming Mix)
  • Fatback – Backstrokin'
  • Wally Badarou – Mambo (excited mix)
  • Michael Garrison – Span of Air (speedy mix)
  • Led Er Est – Port Isabel
  • Joys Spousal relationship Grouping – Boredom Euphoria
  • Schisms – Ride the Scorn
  • France – Meltdown of Planet Earth (part 1)

Tha Retail Simp$ - Reverberant Scratch: 9 Shots in Tha Dark LP (Total Punk)

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RECOMMENDED

Keeping this i curt. Joe Chamandy has turned in his best piece of work to appointment, one propped upwards past the farty fun of Kappa Chow records and the promise and long-range West Coast punk vision laid downward by the Protruders. The parts were there, but the spirit was distant. It's all at that place now, though. If you lot ever wanted to hear The Bar-Kays fronted past Ron House, Jr., and are wise plenty to know that can never happen but still understand, put on your imagineering gloves and rub ane out to the side by side best thing. The rest of you, well … the pressing size is only so big. Better effigy information technology out. (https://totalpunkrecords.com)
(Doug Mosurock)

Pagan Disco Prove #288 for you to heed to

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Listen OR SUFFER

Tracklist:

  • The Saints – This Perfect Day
  • Reddish Transistor – We're Not Crazy
  • Coins Parallèles – Un Trou Dans La Tête
  • Loop – Fermion
  • Catholic Slops – Release the Platinum Claw
  • The Fall – U.S. eighty's – 90'south
  • Tha Retail Simps – End Times Hip Shaker Pts 1 & 2
  • Pan American – Just a Story
  • Mark – Integrier Dich Du Yuppie
  • Singers & Players – Cha-Ris-Ma
  • Dexter Wansel – Funk Assault
  • Geo Rip – Tooni
  • Stander – Frozen River
  • Horsegirl – World of Pots and Pans
  • Tristan Disco – Social Dance (Krikor Retake)
  • Microchip League – Stranger
  • Speedking – Monosodium Glutamate
  • Pankow – Boys and Girls (Hard Dub)
  • Stubby Checker – My Mind Comes from a Loftier Place
  • Jonas Reinhardt – Sly Tomb
  • Jon Spencer and the HITmakers – Layabout Trap
  • Laughing Hyenas – Sis
  • Emilio Santiago – Bananeira
  • Weak Bespeak – Information technology's Not Plenty
  • Caroline No – Anna's on the Radio
  • Jess Scott – Modern Primitice
  • The Embarrassment – D-Rings
  • Alabaster DePlume – Mrs. Calamari
  • David Nance – Craven Bone
  • Comet Gain – Our Wasted Library/Tiny Children
  • Slovenly – Orangish Crush
  • The Rationals – I Need You
  • The Velvet Hugger-mugger – Foggy Notion
  • Dearest – Naught
  • Neutrals – Pressures of Life
  • Blood Incantation – Ea: Tertiary Movement
  • Minnie Riperton – Love and Its Celebrity
  • Workdub – Caravan
  • Juana – It'due south Low
  • A Popular History of Signs – Crowds
  • BassKase – Graveyard Shift
  • Joys Union Grouping - Wiser

David Nance - Wet Candles CS (Western)

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Omaha devastator David Nance unleashes another unsuspecting full-album cover to the pile of unsuspected yokels like you and me. In tribute to the Strapping Fieldhands' intense cover of NYC folkie Melanie Safka'due south 1970 last hippie showdown hit "Lay Down (Candles in the Rain)," Nance jumps on the whole Melanie anthology information technology was included on, including covers-of-covers of James Taylor's "Carolina in My Mind" and the Rolling Stones' "Ruby Tuesday," simply like the originals, they've all been given new titles based on the lyrics within (likely to dodge litigation).

Melanie's music has generally been lost to time; some hasn't aged well, other songs accept been imbued with new meaning (thinking of her "Make New Key" as it was used in "Boogie Nights"), merely in Nance's easily he pulls off some fine swampy stone treatments worthy of Jerry Jeff Walker, T. Rex, Dale Hawkins, Link Wray in thee shack, any version of "Run Shaker Life," or his own Staunch Beloved purse. Seriously so much of his output since that concluding full-length has fallen in line to a higher standard of abode recording, and this one bumps if only from lessons learned. Would love to point out her "Look What They Done to My Song, Ma" as "Chicken Os," pretty meta towards the thump he lays on information technology hither. Still laughing at the name "Moisture Candles" too, so this was Bandcamp dollars well-spent, and casually amongst the best of Nance'due south treatments yet.

In other news, what is this? A review of new music? DID It REALLY HAPPEN? (https://davidnance.bandcamp.com/)
(Doug Mosurock)

Pagan Disco #287 (March 27, 2022)

  • James Schroeder – Cuts i & two (Peach & Beacon)
  • Deadbeat & Om Unit – Bloom
  • Moonshake – Secondhand Clothes
  • Hamid El Shaeri – Oyoun Houriyat
  • Screensaver – Repeats
  • Stander – Abnormal
  • PLOSIVS – Never Likely
  • Alpha Hopper – Glows, Explodes
  • Or – Menacer
  • Sad Lovers and Giants – Vendetta
  • Rush – H.Thousand.K. Gray
  • The Shifters – Removal Business
  • Huerco S. – Plonk VI
  • The Serfs – This Chorea
  • D.A.F. – Voulez Vous Coucher Avec Moi / Opium
  • Severed Heads – Exploring the Secrets Of
  • Meat Beat out Manifesto – I Got the Fear (Without Jack)
  • Six Finger Satellite – Dark Companion
  • Modern English – Only a Idea
  • Lucy Rodgers – Sign My Proper name
  • Matchess – Through the Wall (excerpt)
  • Barry White – Playing Your Game, Babe
  • Assagai – Telephone Daughter
  • Richard Schneider Jr. – Samba-Trip
  • Brandon Seabrook – Vibrancy Yourself
  • Sonic Boom – If I Should Die
  • Electric current 92 – Raio No Terrasu (Jesus Wept)
  • Visitor of State – Somebody Else
  • Filmmaker – Liquor Pheromones
  • Lungfish – 1 Way All the Time
  • Etran de L'air – Tahawerte Ine Idinette
  • Donald Byrd – Places and Spaces
  • Coloured Balls – Guitar O.D. (Live)
  • The New Rotary Connection – Vine of Happiness

Destroyer/Blackness Mount – Tranquility Weather Singles Series split 7" (Spirit of Orr)

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From April 2005:

Destroyer'due south Daniel Bejar returns to the acoustic guitar, rattling off a short and imprecise number ("Jackie, Dressed in Cobras") that shouldn't be also unfamiliar for fans, merely will seem tossed off and irrelevant to anybody else. His Bowie-isms are still intact, he has a fashion with mincing petty words, he exists. Black Mountain, on the other mitt, fuse together the Kinks and the Stooges with their side, "Bicycle Man," the catchy-every bit-hell single that should have been on their debut anthology for the complete packet only instead is Here on a express edition, tough-to-find 7" which you lot really need to track downward. Expressive and effortlessly rockin', this is where Black Mountain hits its stride, loosely and confidently strutting out a creeper singalong, one side of wax that's as perfect as you lot could hope. White vinyl. Get a copy before eBay gets yours.

Words from a time of greater innocence for certain. Destroyer was near five albums deep and already fabricated the leap from smaller labels to Merge by the time this unmarried was minted, while Vancouvermates Black Mountain were just getting started, care of an appealing and hypnotic 12" single called "Druganaut" and an kinda spotty, allsorts debut album.

There's no incertitude in my listen that Dan Bejar is a songwriter with gifts for his listeners, and for a while it was pretty thrilling to see him jump out of messy iv-track excursions into an unwashed and somewhat slightly dazed template, couched betwixt Elephant 6 and the Magnetic Fields, but distinctly othered, Canadian, precious merely not as well much for his own skillful. I stopped following closely after Streethawk: A Seduction and a live performance – solo, acoustic, backpacking, a tough act to follow later on the brainy Franklin Bruno in one of the Leonard St. Knitting Factory'due south basement rooms – as he started with a Dylan cover; honestly, that was enough for me. Though his vocalisation soars, I'd hazard that his muse craves containment, and this was obvious from the start of the New Pornographers, his supergroup project alongside Neko Instance, Zumpano/Superconductor guy Carl (A.C.) Newman, and a bandage of others, which would rotate variably over the years. I don't retrieve Bejar was electing to tour when I caught them at Brownie'south some 22 years ago, and I never saw them again, only to make a tape of such exuberant pop is, in ways, to box oneself in, and though the shape of Destroyer'due south containers may have inverse slightly, the size of it was never actually altered until Kaputt, a tentative step into an electronic/synthesized realm, to be made more surefooted after 1 more jangler (Poison Season). Hell, he merely had i passenger to worry near, non half dozen. Most fans feel a deep connectedness to the first one they discovered, and for me that i was Thief. He makes readily available music, and you're non still listening to the Violent Femmes (or are you…?) so his long body of work will suffice for those who seek containment past proxy. Bejar is a sure affair.

My interest for Black Mountain tapered when vocalist Amber Webber departed, just there was a deep plenty well to fill up i anthology, maybe three sides of vinyl with their choicest nugs. I saw them a number of times, e'er with some sort of tour-only vinyl in tow that I never got around to listening to, or even wondering why it wasn't simply tacked onto an album, seeing as they had such a difficult time differentiating. For every good turn they took, even those campfire singalong songs, even those that courageously tried to unite Jefferson Aeroplane with Steel Pole Bathtub, there were always some counterbalancing, inexplicable mersh moves that put me off, and in one case I heard one of their songs playing in the background on "Sons of Chaos" that was kind of a last straw, a sound also mutably "heavy background" for its own good. Less said about McBean's sister project Pink Mountaintops the better, though flack for their new one makes reference to "American Pie" turd-bard Don McLean, essentially creating a coffin that nails itself shut. Sometimes the container is non for you. Sometimes, information technology's for no ane.

Historically, the most interesting affair about this split is its condition of a format relic: the in-house distro label exclusive. Spirit of Orr and Wabana were the names of ii imprints run out of New England'due south Surefire Distribution, a concern of some pretty good, trustworthy guys wholesaling contained music directly to stores. From the exterior, they ran a business around trust and relationships with both the artists they handled long term (like Columbus dynamo trust Moviola) and with singles serial that reflected their proficient sense of taste and camaraderie with the artists selected to participate. Who wouldn't want to champion a run of records that featured Six Finger Satellite, Brainbombs, Fat Day, The Party of Helicopters, Kid606 and DJ Scud, pretty much dorsum to back? The Quiet Weather condition series ended hither, after releases featuring the aforementioned Moviola, a GBV side projection called Eyesinweasel, The Handsome Family, and Espers' Greg Weeks. These records were available to the few, back when the prevailing sentiment was all well-nigh the death of the indie record store, a downturn in the production and sales of vinyl records, and the ominous upswing of digital music, either available out of the ether for gratis or within sectional licensing deals for the already established. Regardless, you could notice them, either in a shop, occasionally through an online order, or on the second-sale market. Nobody would have to tell me twice nigh how difficult it was to sell records in this era, merely the folks behind Surefire, Carrot Height, and a handful of other now-shuttered distros pushed on regardless, almost to where it seemed like charity to keep going. Records like these singles kept the lights on a footling longer.

Surefire closed up shop around the same fourth dimension that Tape Shop Day, a celebration based off exclusive titles such as the ones like Surefire broke their backs making (merely now filled with unreturnable music that people don't actively seems to want and so much as to obtain for a quick flip, catering to Phish and Dave Matthews Band fans and others of limited interest), kicked off. What seemed to be a lifeline to shops facing foreclosure and gawking normies unable to contain their "wow they even so make records?!" comment earlier walking out emptyhanded, with one or two huge sales days a year (mostly powered past individuals who'd never set up human foot in a shop for any other reason), has ballooned into a choke point even for the numerous pressing plants established to come across demand in its wake. Labels can't become started, or effectively carry out their plans; most plants have wait times of 9-12 months for pressing (if they're taking new customers at all), bands tin can't get merch made for tour, but hey, in that location's a stack of California Raisins picture disks in a markdown bin staring at yous every time yous get into a participating shop (and plenty of Adele and Beatles records at your local Target, where people confuse them with calendars and can't figure out that they play on different speeds), and the cost of a single new LP is pushing $30 in lots of places due to wholesale increases in everything from raw parts to shipping. Majors owned their own pressing plants, scrapped for parts past the late '90s, so it'southward no surprise that they clog the facilities of the people now that no one wants anything else they accept to sell.

In 2008 I led a panel at SXSW from this position of the Nevertheless Single cavalcade, yet amazed that people were sending me veritable crates of vinyl in the promise of a practiced pull quote. Information technology was a good opportunity to talk almost something happening at the time but in retrospect I should've just kept my mouth shut and my attention on the Load and Siltbreeze showcases and the Harvey Milk with Joe Preston gig I caught. I was joined past some industry folks at that place, ranging from the slack to the respected, including one of the founders of Record Store 24-hour interval, which had kicked off the year before in a much more homespun manner. Information technology was clear that they meant business concern (anyone who visited their alliance's hospitality suite knew this), and we all gasped and laughed at the guy from Sony in the oversupply who stood up saying they were going to press their entire back catalog holdings onto vinyl, but he and his cohorts held to their word and beyond, and we're worse off for it.

What do you lot do if you lot're a new band and eschew the whole viral content/music management route? It's hard plenty to get anyone to care virtually new music. Harder however to get much exposure without social dap since shows all but shut downward two years ago. Do you park your music on Bandcamp, getting knocked their percentages outside of their ane day per month of benevolence and hope to get noticed by their watery editorial team? Make a record? Brand a lathe cut? Burn a CD? If so, what avenues do you have to sell information technology? Accept it to radio? Blogs? It's kind of astonishing, and terrifying, that this realm is so fragile that a pivot to help music retail – whose margins were so depression on taking upwardly singles dorsum in 2005 that I had to start a review column just to obtain the records I wanted to hear – has wiped clean the slate for anyone trying to brand new music. I recall implying many times during the course of Still Unmarried'south heyday that maybe making a record wasn't the best thing for every artist or band to practice, merely now that option seems almost completely off the tabular array. The long-tail gentrification of vinyl, a format abandoned by the industry, is now back in the manufacture'south mouth. Brusk of censorship, y'all couldn't devise annihilation more sinister.

(Doug Mosurock)

Some radio for ya

Listen to these radio shows, will you? Put them on to soundtrack whatever it is you lot go upward to on hither. Your GIFs volition thank y'all.

Pagan Disco #281 (happy V-Day ya fucks)

https://world wide web.mixcloud.com/mosurock/pagan-disco-prove-281-13-february-2022/

Hr 1

  • Gabor Szabo – Somewhere I Vest
  • Atlantis – Mr. Bigshot (You lot Get the Credit)
  • Margo Guryan – Someone I Know
  • Air – Infant I Don't Know Where Beloved
  • Betty Davis – Anti Love Song
  • Modernistic Nature – Masque
  • DJ Python – Angel
  • Bardo Pond – Tommy Gun Angel
  • Moose – Male child
  • My Dad is Dead – In Your Mind
  • The Reds, Pinks and Purples – Tell Me What's Real
  • Cate Le Bon – Cry Me Former Trouble
  • Patrice Rushen – Haven't You Heard
  • Pete Yellin – It's the Right Thing
  • Print Head – Dying the Way You Want

60 minutes ii

  • Mdou Moctar – Tala Tannam
  • The Mountain Movers – I Picket the Sea
  • Levande Död – Unter Rotvältan
  • The Jesus and Mary Chain – Upside Down
  • The Bedroom Strings – Telegram
  • Honey Radar – Sunrise Alphabet
  • J.R. Bohannon – Plum Village
  • The Principal Ingredient – Work to Practise
  • Dalibor Cruz – 02
  • Norma Tanega – You're Dead
  • Vulcan – Lightning
  • Atomic Rooster – Lost in Space
  • Jake Xerxes Fussell – Washington
  • Banchee – "38"

60 minutes three

  • Konono No. one – Masikulu
  • Alleged Witches – Dukun
  • Sheila East. – The Glamorous Life
  • A;GRUMh… – nGUU (Petite Fugue)
  • Front 242 – Don't Crash
  • Ava Mendoza – Apart From
  • Self Improvement – Firestarter
  • Link Wray – Beans and Fatback / I'thousand Then Glad
  • Heavenly Bodies – Universal Resurrection
  • Buffet Racer – Pretty Trash

Heathen Disco #280 (Tribute to the belatedly Jerry Weber / Jerry's Records in Pittsburgh, an of import place in my history)

https://www.mixcloud.com/mosurock/infidel-disco-show-280-thirty-january-2022-rip-jerry-weber/

HOUR 1

  • The Dream Syndicate – The Days of Vino and Roses
  • Copse – Tom of Bedlam (live)
  • Jimmie Rodgers – Jimmie's Texas Blues
  • Ronnie Lane and Slim Take a chance – Bye and Adieu (Gonna Come across the King)
  • Wire – Blessed State
  • Matt Jencik – Yep Pussyfooting
  • T. Rex – Metal Guru
  • The Rolling Stones – Rocks Off
  • The Comsat Angels – Independence Day
  • The Soundcarriers – At the Time
  • Little Sister – You're the 1 (Part II)
  • Ava Mendoza – Sun Gun
  • Marsha Chase – (Oh No! Not) The Animal Day

Hour ii

  • Cardboards – Electrical Generator
  • John Cale & Terry Riley – Church of Anthrax
  • Cabaret Voltaire – Protection
  • The Embarrassment – Celebrity Art Party
  • Bad Brains – Joshua's Vocal / Banned in D.C.
  • My Bloody Valentine – I Can See It (Just I Tin't Feel It)
  • John Dwyer, Ryan Sawyer, Greg Coates, Wilder Zoby and Andres Rentaria – Yuggoth Travel Agency
  • BÖRN - Þú Hvíslar
  • The Pheromoans – South.B.'south / Greece Theme
  • The Fall – Gramme Fri
  • Balaclavas – Roman Holiday
  • Master's Apprentices – Easy to Lie
  • DJ Harrison – Metropolis Lights
  • The Poppy Family – Happy Island

60 minutes 3

  • Darryl Manner's Wolf – Game of X
  • Butthole Surfers – Jimi
  • Spacemen 3 – Lord, Can You Hear Me
  • Hollow Frames – The Woods Reveals Itself
  • Sly & the Revolutionaries – Sensi Dub
  • Public Image Limited – Solitaire
  • Hard Corps – Desolation Land
  • David Bowie – She Shook Me Cold
  • Sic Alps – Message from the Law
  • Mathematiques Modernes – Disco Rough (Long Version)
  • The Impossible Dreamers – Spin
  • Talk Talk – New Grass

Errors – "Hans Herman" b/w "Ah Ha Ha" 7" (Rock Action)

From Apr 2005:

New release on Mogwai's label, which since its inception has battered the musical landscape with ultra-heavy releases by bands like Envy, Part Chimp, and Bolt Thrower drummer Earl Shilton. Glasgow'due south Errors take a slightly different tack, embarking on the dreadful path of "rocktronica" (a path and then dreadful, that discussion must exist employed) with an aimless, mail-rockin' laptoppin' instrumental A-side, and yet another sad estimator vocal on the flip, reminiscent of third string Boards of Canada. Don't ask, don't tell.

OK, what the fuck was I on about here? At its worst "Hans Herman" is some other h: harmless, just a busy niggling instrumental bop from some Scots who probably enjoyed the journey of making this music in a still-hot, pre-Brexit, by and large-unruined UK indie earth, saturday in pretty not bad visitor label-wise, likely got to tour continentally with Mogwai, etc., and really, practiced for them. They extended this notion to something like four albums (of which this debut unmarried preceded all of by at least three years). I tin capeesh this band for what it is now, kind of an alternating timeline version of, say, former Austinites Paul Newman, where i of the guitarists is replaced with a squelchy synth and sequencer.

Information technology was painlessly easy to go out part of their discography playing on a streaming service for the meliorate part of a workday. Not every record needs to go out a welt, nor does it take to be flattened to some "chill lo-fi beats for studying" dimension to make time become past less. No idea what they're upwardly to now but I hope they're all successful and happy. I had passing familiarity with two pre-/contemporaneous Glasgow bands, Multiplies and Dananananaykroyd, which at one point shared a member with Errors, and more often than not lump them in with the mathy studda-footstep of the times. Youths well spent?

Errors discography available via Discogs: https://www.discogs.com/artist/305059-Errors

(Doug Mosurock)

New Heathen Disco is up. Episode #280, requiescat Jerry Weber, the man behind Jerry'due south Records in Pittsburgh and someone whose life was pretty much defended to helping people experience happy.

HOUR one

  • The Dream Syndicate – The Days of Vino and Roses
  • Trees – Tom of Clamor (live)
  • Jimmie Rodgers – Jimmie's Texas Blues
  • Ronnie Lane and Slim Chance – Bye and Bye (Gonna See the King)
  • Wire – Blessed Land
  • Matt Jencik – Yes Pussyfooting
  • T. Rex – Metal Guru
  • The Rolling Stones – Rocks Off
  • The Comsat Angels – Independence Day
  • The Soundcarriers – At the Time
  • Picayune Sister – You lot're the I (Role II)
  • Ava Mendoza – Dominicus Gun
  • Marsha Hunt – (Oh No! Non) The Beast Twenty-four hours

60 minutes 2

  • Cardboards – Electrical Generator
  • John Cale & Terry Riley – Church of Anthrax
  • Cabaret Voltaire – Protection
  • The Embarrassment – Glory Fine art Party
  • Bad Brains – Joshua'south Song / Banned in D.C.
  • My Bloody Valentine – I Can See It (Only I Can't Feel It)
  • John Dwyer, Ryan Sawyer, Greg Coates, Wilder Zoby and Andres Rentaria – Yuggoth Travel Bureau
  • BÖRN - Þú Hvíslar
  • The Pheromoans – Due south.B.'southward / Hellenic republic Theme
  • The Fall – Gramme Friday
  • Balaclavas – Roman Holiday
  • Principal's Apprentices – Easy to Prevarication
  • DJ Harrison – City Lights
  • The Poppy Family – Happy Island

Hour three

  • Darryl Way's Wolf – Game of X
  • Butthole Surfers – Jimi
  • Spacemen 3 – Lord, Can Y'all Hear Me
  • Hollow Frames – The Wood Reveals Itself
  • Sly & the Revolutionaries – Sensi Dub
  • Public Prototype Express – Solitaire
  • Hard Corps – Pathos Country
  • David Bowie – She Shook Me Cold
  • Sic Alps – Message from the Law
  • Mathematiques Modernes – Disco Rough (Long Version)
  • The Impossible Dreamers – Spin
  • Talk Talk – New Grass

Baton Bao – Bilbo's Incinerator 7" EP (Westward.M.O./r)

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From April 2005:

An essay on the back cover of this EP gives a few clues as to what's at stake: Bao, a Nigerian vocalist, traveled to Bilboa, a touristy location in the Basque region of Kingdom of spain. Experiencing the same feelings of oppression he felt in Lagos, Bao found an out through punk rock, quickly assembled a trio of drums and guitar, and spent iii hours in a studio channeling his rage. The results are on this 7", and information technology is punishingly prescient. Lyrics bargain with country control of expression, a horrifying metaphor for what the third-world disenfranchised might like to do to people of privilege ("Give Them Virus"), and gentrification's effects on those it pushes out. Ugly, atonal, and pounding, these three primitive rock songs slug their way through outbursts of power electronic noise, jackhammer rhythms, and thrashy, repetitive guitar. Vocals sound like the second coming of Kickboy Face, and this as a whole comes off as a terrifyingly existent example of what homo beings are capable of if pushed far enough. The existent world equivalent to the Pissed Jeans 7" (also reviewed in this edition). An important tape.

First review on the start edition of Still Single. I'one thousand non cringing at this one (even with the Pissed Jeans reference), and am surprised that the record appears now to be both more and less than what I described it every bit. Downtuned guitar riffs alongside expanding/contracting rhythms, treated/farthermost vocals and extreme treated treatments phasing over top. It'southward energetic but slack every bit the production pulls along and dorsum once again like the zoom lens in a giallo. It's too not every bit heady as information technology was to hear for the outset time, for this path has been trampled on many a time in the intervening years. Definitely stood out in 2005, though, as the signifiers of noise rock were so largely absent from the climate of garage bands and electroclash lip gloss. It was withal out there, to be sure, but information technology took politics, theory, and an onetime-fashioned fake I.D. to make it every bit relevant as it sounded here. The drummer Alberto Martin from La Secta, a long-running Spanish garage ring that if I am recalling correctly were contemporaries of '80s American throwback bands like The Cynics, pounds it out in this session.

An outlet for Basque guitarist Mattin, who had noise guitar works releases under his own name previous to this project, Billy Bao appears to have been the name given to his voice in this project, and exists only conceptually through these recordings. You can talk over amongst yourselves where this seems exploitative. Having spent an interesting evening with him once, I'1000 qualified to say he is no Rachel Dolezal.

Mattin spent a expert while in the States in collaboration with (or bold control of) a number of projects, and while I can't recall if there were any Billy Bao alive dates in the United states, this cell phone video sort of confirms my assumptions regarding identity: a number of backlit people churning out a wall of guitar dissonance. This project continued as a recording entity for at least the next ten years, with its finest moments coming via the Fuck Separation 10" on S-S, and the last two releases to engagement (the Lagos Sessions 2xLP on Munster, and the Communisation 12" on Insulin Addicted/Fuck Yoga).

Mattin continues to perform and release music, including a number of collaborative Songbook albums, and the test music projection Regler, which took repetition in a genre/grade to a thought-choking extreme. Most recently he delivered a second Suicide-esque album equally Al Karpenter for Bruit Directly, entitled Musik for a Individual Hell, which it most certainly is: minimalist pulses, crooning lyrics of loss, anarchy and devastation, Mattin's semi-legendary malfunctioning laptop, and in the midst of it all a track called "Eyes Without Faces" that is cutting from the aforementioned thick, filthy cloth as Billy Bao. (Doug Mosurock)

Billy Bao releases on Discogs: https://www.discogs.com/artist/372492-Billy-Bao

Still Single returns…

Hey folks. Been a infinitesimal. Maybe it took me effectively retiring from music writing to swing back around, but I think I found a hook that will work for me while restoring some of the writing I've washed over the years to a more discoverable format.

Every bit some of you noticed, Dusted (the publication where Nonetheless Single once ran) is a. now run by unlike people than its original founders over here on Tumblr (an effort which I have distanced myself from, though I wish their writers all the best), and b. was a shuttered website for a while (that seems to have been restored, but even so features the aforementioned landing page as information technology did in 2013). Either manner, none of this gets yous or me any closer to the thousands of reviews I published at that place under the Nonetheless Single column, starting style back in 2005. They were indexed by volume/grouping of reviews on the site, not past the championship of artist or release. Almost of the images that went along with my writing are now broken links. Boo hoo!

Thinking back on a volume in my library – namely, Richard Morton Jack's Galactic Ramble, a survey of British folk, rock, and psych records from the '60s and '70s – it dawned on me that in that location was a fashion to extend the life of old tape reviews; namely, past pairing them with a gimmicky view of said record. Who wouldn't want to relive the time they maybe outset learned about Baton Bao?

Seriously, and this is more of import, what do I think nearly the music at present? Does it agree upward? Am I gonna exist humiliated by what I wrote back so? I gotta be honest, most of the singles I reviewed are pretty much available if you wanna look for them on Discogs or in some store somewhere, and most of it is available online somewhere at least to stream, legally or otherwise. Is this record 1 you want to introduce into (or keep in) your life, however that looks in 2022+?

With this in mind, every bit this try (slowly) picks upward steam, I'yard going to have archived reviews of mine from the Dusted days (and maybe my nine-twelvemonth tenure with the Other Music Weekly Update) to republish them here, with an updated critique, and where applicable expanded with a short history of what the artist has been upward to since then, with links to discover or obtain the records covered in each where possible.

I already have all of the original content archived (never got around to making a volume out of all those reviews), merely I accept neither agreements nor the approval of all the past Nevertheless Single contributors, and won't be seeking it out. This effort is going to focus on my ain writing and work, then and now. Moreover, it'll be a good chance to revisit i opinionated young human being'south blather with that of his older, arguably wiser self's.

I want to add that there is no timeline for this work. I'm merely picking it upwardly over again and seeing where it all goes. Hopefully this will jar loose some other projects I've put aside. I haven't forgotten.

Get ready to be upset over something you read on the Net one more time!

Likewise, listen to Heathen Disco, my radio prove on CHIRP here in Chicago. It's my primary outlet for expression nowadays, and I'g quite proud of it.

Yours,

Doug Mosurock

Heathen Disco Ep. 276 (26 December 2021)

60 minutes 1

Revolutionaries – Very Well Version

Big Black – The Model

Dopplereffekt – Sterilization

Patrick Shiroishi – The Dowager'due south Clipped Wings

Nox – Oversupply

Depeche Mode – Never Let Me Down Again (Aggro Mix)

Joy Sectionalisation – Warsaw

Pain Teens – Shallow Hole

Karp – Shotzie

The Partisans – Fire

Parliament – I Phone call My Baby Pussycat

Leo Nocentelli – Riverfront

Seaboy – Africa

Roedelius – Von Ferne Her

HOUR 2

Can – Sieben (live Brighton 1975)

Moin – Lungs

Tad – Axe to Grind

imPLOG – The netherlands Tunnel Swoop

SPK – Metal Trip the light fantastic

ODWALLA88 – Live in Olympia (excerpt)

Minny Pops – Mono

Spiritual Mafia – Bathroom Boy

Negative Reaction – Death or Victory

Princess Diana of Wales – Fragment of Blue

Hour 3

Klinik – Burning Inside

Section 25 – Sakura (Matrix Mix)

Mr. Equus caballus – Crisis Situation (instrumental)

Juzer – September

DJ Marker Imperial & Dennis Ramirez – House Cult Drums

The Toughskins – Freedom of Ch-Oi!-ce

Alien Nosejob – Leather Gunn

Bob Welch – Hither Comes the Nighttime

Michele Mercure – Eye Chant

Daddy Freddy – Nuff Respect

Mekanik Kommando – 'A Swan in the Ocean'

Daryl Hall & John Oates – You're Much Too Soon

Kate Bush – The Wedding List

Gato Barbieri – Encuentros

https://www.mixcloud.com/mosurock/infidel-disco-show-273-v-december-2021/

Hour 1

Old Saw – Dirtbikes of Heaven, Grains of the Field

Alien Eyelid – Landing Lonely

Michael Hurley – Se Fue en la Noche

Moviola – Two Evils

Meic Stevens – The Crewman and Madonna

Steamhammer – Walking Downward the Route

Christina Vantzou – Releasing Spores

Socrates Drank the Conium – Naked Trees

Joe Meah – Dee Mmaa Pe

Skyy – Telephone call Me

Ministry building – Over the Shoulder

The Hymeneals Present – My Favourite Dress

Bitchin Bajas – Moon Dance

Rumplestiltskin – Rumplestiltskin

HOUR 2

Theo Scherman – I'chiliad And so in Honey

Telex – Dream-O-Mat

Cherrelle – I Didn't Mean to Turn You On (instrumental)

Robert Palmer – I Didn't Mean to Turn You On (extended version)

Alien Sex Fiend – Get Into It

D.A.F. – Das Pur Pur Rot

Eastward Village – Her Mother's Son

Jarvis Cocker – Elle et Moi

Versus – Seaweed Ascension

Helen – Allison

Maritime – Information technology's Coincidental

Blunt Bangs – Odessa

Xeno and Oaklander – Gain

Artifacts – Song for Helena

Pepe Bradock – Lara

60 minutes 3

Chris & Cosey – Put Yourself in Los Angeles

Can – Drei (Live in Brighton 1975)

SUDS – Mirage March

Dub Syndicate – Fringe on Top Dub

Keith LeBlanc – Mechanical Movements

Makaya McCraven – Fall in New York

Oneida - $l Tea (Live in Sweden 2007)

Fred Van Hove – Finale 79

Perennial Divide – Burning Dogs

Yukihiro Takahashi – New (Cherry) Roses

Endless Boogie – The Conversation

Emily Robb – News from a Fog

masonyouggs.blogspot.com

Source: https://still-single.tumblr.com/

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